Abstract submission deadline: May 22, Notification of acceptance: June 30, Camera ready paper submission deadline: July 24, Revisions of abstracts for oral and poster presentations, which can be expanded up to a 4-page paper, must be submitted online on the EasyChair website. When submitting, please include the camera ready abstract or paper both in Word and PDF formats, accompanied by a PDF document explaining how you have taken into account reviewers' comments in the final version. Please fill in the online registration form. Timbre will be presented through Zoom and the Zoom link will be emailed to all registered attendants one day prior to the conference.
Nikos Diminakis musicologist, multi-instrumentalist, music educator, b. He has presented and published articles about music analysis in various conference proceedings. He is appointed as a music teacher in public elementary schools and since he has also been active in giving courses Didjeridou, Harmony, Vocal and Aural Skills Training at the School of Music of the Aristotle University.
Since he tries to incorporate beatbox techniques in several instruments mainly winds through improvisations and his own compositions. Matina Kalaitzidou is a music educator, b. Beatbox is also transforming rapidly into an umbrella term since it manages to combine a number of diverse sound production techniques of different ethnic groups in various periods of their cultural identity i.
Best Places To Meet Girls In Thessaloniki & Dating Guide - WorldDatingGuides
Mongolian throat singing, eefing, etc. This talk explores how timbre contributes to the perception of musical tension. Tension is an aggregate of a wide range of musical and auditory features and is a fundamental aspect of how listeners interpret and enjoy music.
Timbre as a contributor to musical tension has received relatively little attention from an empirical perspective compared to other musical features such as melodic contour and harmony. The studies described here explore how common timbre descriptors contribute to tension perception. Multiple features including spectral centroid, inharmonicity, and roughness were examined through listener evaluations of tension in both artificially generated stimuli and electroacoustic works by well-known composers such as Stockhausen and Nono.
Timbral tension was further examined in an audiovisual context by pairing electroacoustic compositions with abstract animations. As the thinking went, a good sound synthesis method should produce sound output with all the attributes of acoustically-produced sound. And yet, physical models are posed in a way which makes any scientific exploration of the notion of timbre quite difficult.
- free speed dating events Faisalabad Pakistan.
- Thessaloniki, Greece: Stylish And Cultured, Without The Big-City Hassle - GoNOMAD Travel.
- custom matchmaking on Roma Italy.
- Thessaloniki Metro.
- Find Transport to Thessaloniki Airport (SKG)?
- Access options?
Physical modeling is a roundabout approach: physical models obey laws of physics and not human perception, and it is expected that any acoustic system that obeys the laws of physics will produce natural sound. As to why they produce natural soundthis is wrapped up in the physical parameters that define a particular model, which often do not relate directly to perceptual definitions of timbre or even pitch or loudness.
- Thessaloniki Speed Dating - Find Date in Thessaloniki, Greece.
- free online dating Taizz Yemen.
- Full-Day Trip to Meteora from Thessaloniki?
The aim of this talk is to give a short qualitative introduction to physical modelling synthesis and to explore, through both mathematical models and sound examples, the way engineers and musicians and not scientists! Timbre is a key perceptual feature of sound, that allows the listener to identify a sound source.
Wednesday, May 21, 2014
Timbral differences enable the recognition of musical instruments and are critical for vowel perception in human speech. In this talk I will present recent work that has explored how the auditory cortex extracts and represents spectral timbre and how neural representations facilitate perceptual constancy. Perceptual constancy requires neural representations that are selective for object identity, but also tolerant across identity-preserving transformations.
By combining behavioural testing in ferrets and humans, with neural recordings from the auditory cortex of ferrets actively discriminating sound timbre, we will demonstrate how cortical representations represent timbre across differences in pitch and location and robustly in the presence of background noise. Timbre can influence pitch perception — an effect that is not directly obvious and this talk will explore some of the ways this can occur. In addition, it will consider the implications for the tuning of individual notes by singers and what the potential can be for pitch drift as well as audience appreciation of the overall tuning.
The session will consist of 6 sub-sessions each of wich will last 8 minutes and will include participants selected randomly. Each participant will be allocated with a max of 2 minutes self-presentation. Once you enter the first sub-session via the link provided in the instructions email the switching to the next sessions will be automated. Separate virtual rooms hosting each poster can be accessed through the corresponding links included in the instructions email. Poster session presenters should join their rooms 10 minutes before the session begins. Gather Town is a virtual space where you can interact with other people in a more direct and informal way.
You can enter the two available virtual spaces maximum of 50 people in each via the links provided in the instructions email. Organisers and participants can contact the technical support of the conference via the following skype account and the following email: Skype Account Name: TIMBRE Morwaread M. Flatscreen TV. Non-smoking rooms. Family rooms. Languages Spoken.
Makedonia Airport 8 mi See all flights.
2nd International Conference on Timbre
Write a review. Traveller rating. Selected filters. All reviews garden bar funky rooms the heart of the city walking distance hotel guests rooms are big stayed for nights excellent room tsimiski street great hotel comfy bed lovely city quiet street public areas central location old building ladadika district very helpful staff business trip location is excellent sea view design.
London, United Kingdom 33 contributions 7 helpful votes. Date of stay: October Value. Helpful Share. Alex wrote a review 16 Oct. What a great place. In the heart of the city a beautiful building dating back in the early has been transformed into a hotel. What impressed me the most is the hospitality, I arrived with my dog and they had a bed and bowls waiting for me, food and toys!!!
Walking distance from everything and the stuff are polite and ready to make you feel like home. A must stay place in Thessaloniki. Date of stay: October Trip type: Travelled solo. Laura P wrote a review Sep Welcoming experience. We stayed three nights. The rooms were very clean. Georgia at the Reception was super nice and always very helpful with her tips around the city!! George at the Garden Bar made us try the best Greek coffees! Date of stay: September Trip type: Travelled as a couple.
SteMitch81 wrote a review Sep Middleton, United Kingdom 20 contributions 12 helpful votes. Loved it! We stayed as a group of friends for a long weekend, the hotel is in pristine condition, funky, clean and kinda boutique. The rooms are super quiet and well furnished, and all the hotel staff are so lovely and welcoming, nothing is too much trouble! Again, the staff really make this place! The food is amazing, as are the cocktails and attention to detail.
We will definitely be coming back in a couple of months! Date of stay: September Trip type: Travelled with friends. Bconnect wrote a review Sep Tel Aviv, Israel 6 contributions. Very good location excellent service very clean All the stuff that was very helpful and give us the best filing in our stay The price is good breakfast was very nice Big room and shower Great place for travellers in the city. Previous Next 1 2 3 4 5 6 … Gokhan G asked a question Jun Jan You can temporarily park your car in the front or the back of the hotel so that you can unload your luggages and one of our COLORS Ambassadors can help you out with parking your car in one of the collaborating parking lots so that you enjoy your stay with us.
Looking forward to meeting you! Answer from Christina D. Oct All of COLORS properties are located in the most central locations so that you can experience everything within a walking distance. One week in advance of your arrival we send you a detailed map with all the parking options so that you can choose where to park and our COLORS Ambassadors can help you once you arrive to park in a good choice.
We are looking forward to having you again in our premises.